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THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said����We are not tyrants.��

THREE:But the condition of Pauline, brought up in all the luxury and magnificence of the h?tel de Noailles, and suddenly cast adrift in a country the language and habits of which were unknown to her, with very little money and no means of getting more when that was gone, was terrifying indeed. She did not know where anything should be bought, nor what it should cost; money seemed to her to melt in her hands. She consulted her husband, but he could not help her. If she tried to make her own dresses, she only spoilt the material, as one can well imagine. Their three servants, the German boy, a Dutch woman, and after a little while an English nurse, could not understand each other, but managed to quarrel perpetually and keep up the most dreadful chatter. Her child, this time a son, was born on March 30th, Easter Day. She had looked forward to celebrating that festival at [237] the new church then to be opened, at which many of the young people were to receive their first Communion. Pauline, like all the rest of the French community, had been intensely interested and occupied in the preparations. Flowers were begged from sympathising friends to decorate the altar, white veils and dresses were made for the young girls by their friends, all, even those whose faith had been tainted and whose lives had been irreligious, joining in this touching and solemn festival, which recalled to them their own land, the memories of their childhood, and the recollection of those they had lost.[291]