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And the liberty of M. de Fontenay.In 1805 she again married, and this time her husband was in every respect the incarnation of all that she had hitherto opposed and objected to.<024>
ONE:But the deep affection she and her pupils displayed for each other, the devotion and kindness she showed them during their misfortunes, the courage and cheerfulness with which she bore the hardships and dangers of her lot, and the remorse and self-reproach which, in spite of the excellent opinion she usually entertained of herself, do occasionally appear in her memoirs, prove that many good qualities existed amongst so much that was faulty.
Fireart Studio
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Fireart Studio
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Fireart Studio
California
This app gives you all the unique moments of exploring - game before
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Fireart Studio
California
This app gives you all the unique moments of exploring - game before
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Fireart Studio
California
This app gives you all the unique moments of exploring - game before
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But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.Mme. de Genlis was received with affection by her old pupils, and had a pension from them during the rest of her life.Here she finished the portrait of the young Princess von Lichtenstein, as Iris. As she was represented with bare feet, her husband told Mme. Le Brun that when it was hung in his gallery, and the heads of the family came to see it, they were all extremely scandalised, so he had placed a pair of little shoes on the ground under it, and told the grand-parents they had dropped off.However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.The Countess was extremely pretty, attractive, and amiable. One day while she was sitting for her portrait, Mme. Le Brun had occasion to send for Mme. Charot, her nursery-governess, who came in looking so pleased that she asked what had happened.
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